
Women’s
Suffering and Transcendence in White Tiger Pass: Exploring the Spiritual Core
of Chinese Civilization | “Xuemo in Dialogue with International Scholars”
(Episode 5)
At
8:00 p.m. Beijing time on April 19, an online literary dialogue spanning the
Pacific was convened by the World Literature Union and the Xuemo Foundation.
The fifth session of “Xuemo in Dialogue with International Scholars” centered
on White Tiger Pass, a novel by the renowned contemporary Chinese writer Xuemo,
and featured an in-depth discussion of suffering and transcendence.
Distinguished
scholars, sinologists, and emerging researchers from the Chinese mainland,
Taiwan, the United States, Canada, Norway, and elsewhere gathered online for
several hours of intellectual exchange with Xuemo and his readers around the
world.
White Tiger Pass: A Masterpiece
Acclaimed as “One of the Best Novels of 2008”
Opening
the event, moderator Yanjin Chen reviewed the important place White Tiger Pass
occupies in contemporary Chinese literature. She cited the late literary critic
Lei Da, who described it as “one of the best novels of 2008,” and Professor
Wang Guangdong of Shanghai University, who observed that the novel “truly
portrays the heart of the Chinese peasantry.”
Xuemo
remarked that White Tiger Pass was his personal favorite among the three novels
in his “Desert Trilogy.” With its subtle and penetrating psychological insight
and its vivid, fully realized characters, the novel has become an essential
work in the literature of western China and in contemporary Chinese rural
literature.
Keynote Speech: Three Women Confront
“Meeting Those One Hates, Separation from Those One Loves, and Not Attaining
What One Desires”
Songjian
Xu, a doctoral candidate at Shanghai International Studies University,
delivered a keynote address titled “Suffering and Transcendence: Character
Portrayal in White Tiger Pass.” Drawing on three of Buddhism’s “Eight
Sufferings”—meeting those one hates, separation from those one loves, and not
attaining what one desires—Xu examined the destinies of the novel’s three
principal female characters: Lanlan, Ying’er, and Yue’er.
Lanlan:
Forced through an exchange marriage to wed a violent husband, Lanlan endures
domestic abuse. She flees to the Vajravarahi Cave to undertake spiritual
practice, yet remains caught in the entanglements of human nature. Her
suffering resembles “inescapable shackles.”
Ying’er:
Her love for the young Lingguan transgresses conventional moral boundaries.
After Lingguan leaves, she waits endlessly for his return before being forced
to remarry. In despair, she takes her own life for love, seeking to preserve
the purity of her inner self against “defilement.” Her tragedy embodies “the
return that never comes.”
Yue’er:
Dreaming of a better life, Yue’er moves to the city, only to fall ill and
descend into destitution. After returning to the countryside, she is met with
contempt and rejection. She ultimately sets herself on fire in the desert. With
the resolve of a phoenix rising from the ashes, she seeks to purify her soul—a
tragic response to “the innocence to which one can never return.”
In
his response, Xuemo not only revealed how the characters’ destinies extend beyond
the narrative of the novel, but also elevated the discussion to the level of
philosophy and civilization. He explained that the three women represent,
respectively, the pursuit of truth, goodness, and beauty. Their tragedies arise
from the immense gulf between individual awakening and harsh reality.
Xuemo
devoted particular attention to the symbolic significance of the Vajravarahi
Cave. Rather than representing an unblemished pure land, the cave is a place of
spiritual practice filled with trials of human nature. It symbolizes the
possibility of cultivating the lotus of the soul amid the mire of worldly
desire.
International Scholarly Dialogue: From
Literary Narrative to Civilizational Concerns
During
the discussion, international scholars approached the novel from a range of
perspectives, while Xuemo’s responses demonstrated the breadth of his
intellectual concerns.
Riccardo
Moratto, Distinguished Professor at Tongji University, asked whether the three
women’s extreme means of seeking deliverance might be misinterpreted as
attempts to escape suffering. Xuemo responded that the true agents of
transcendence are not the characters themselves, but the writer and readers who
are able to contemplate their destinies.
He
further emphasized that in an age when technology offers an unprecedented range
of choices, people confronting adversity should not rely solely on individual
spiritual practice. They must also learn to build or join communities of
like-minded people, finding spiritual warmth and practical mutual support.
Wenjing
Wu, a doctoral candidate at the University of Connecticut, raised a question
about Xuemo’s short story “The Rat God,” asking whether fear-based worship in
folk religion and violence might share a common origin. Xuemo suggested that
the story reveals the complex entanglement of superstition, reverence, and
human nature in the culture of western China.
He
made the provocative observation that “superstition accompanied by reverence”
may impose firmer restraints on human conduct than “science without reverence.”
The remark prompted further reflection on the moral decline associated with
modernity.
Pingyan
Li, a lecturer at Lanzhou University of Technology, and Dr. Huan Xia, Assistant
Professor at the Macau University of Science and Technology, asked,
respectively, how monumental epics should be read and how women can transform
inner spiritual cultivation into the strength needed to confront reality.
Xuemo
recommended an “immersive” approach to reading and argued that “choice itself
is power,” offering a source of practical wisdom for individuals seeking a path
through the difficulties of their time.
The “White Tiger Pass” of Our Time: A
Critique of Materialist Values and a Call for a Civilization Centered on the
Inner Life
Throughout
the dialogue, Xuemo repeatedly addressed the deeper metaphorical meaning of
White Tiger Pass. He interpreted the “white tiger” as representing the waves of
materialism, capital, and consumerism arriving from the West.
In
his view, these forces have eroded the traditional Chinese system of values
centered on morality. A person’s worth is now increasingly measured by wealth
and social status rather than moral character, creating a profound crisis in
the nation’s spiritual life.
To
pass through the “White Tiger Pass” of the present age, Xuemo argued,
individuals must awaken inwardly and transcend their limitations. He summarized
this process in four steps: understand that the world is a reflection of the
mind; allow the mind to belong to itself; use the world as an instrument for
training the mind; and ultimately create a world of one’s own.
Xuemo
regards all his literary and cultural work as an attempt to guide both
individuals and the nation through this process of spiritual transcendence. At
its heart is an effort to carry forward and revitalize China’s traditional
civilization centered on the cultivation of the inner life.
Building an International Platform to
Preserve Literary and Intellectual History
“Xuemo
in Dialogue with International Scholars” has now held five sessions. In his
opening address, Xuemo explained that the initiative was established as an
enduring platform for international scholarly dialogue.
Through
publication in World Literature magazine and related books, each intellectual
exchange can be documented and preserved as part of the historical record and
as a shared cultural asset. Xuemo expressed the hope that the platform would
become a space in which “a hundred flowers bloom,” fostering empathy and
meaningful connections between literary aspirations and the wider world.
The
event concluded with scholars and readers still eager to continue the
conversation. As Xuemo observed in his closing remarks, “Our greatest happiness
lies in gathering with a group of friends and talking about the subjects we
love.”
This
literary dialogue across national and cultural boundaries not only deepened the
participants’ understanding of White Tiger Pass, but also opened a window onto
the spiritual core of Chinese civilization and the shared challenges
confronting humanity. In doing so, it embodied the ideal of literature as a
means of connecting the world.